" But there was someone else in the the castle, he wanted to do the same, and could never. Party, or almost ran away from Lucy, gave the order for dinner with her, made a customary visit to some places of the castle, still living with that image in mind, and with those words resonant to the ear, the lord s' had gone to hunt in the room, had closed in quickly and furiously, as if he had to dig in against a team of enemies, and undressing, in pure rage, he had gone to bed. "
nightfall, the soul of the Lord breaks through anguish and torment ...
is a man who struggles with himself, since a conversion is not a sudden change or even a total denial of self, but an internal dialectic between ancient man and the new one: we see a contrast between two radically dissimilar states of mind: the safety of a time in carrying out crimes and wickedness without remorse and with the strict sense of vitality and the presence of anxiety, because of consciousness and memory of the hideous evil of torture carried out in a terrible loneliness. It is a decisive struggle between man "old", which is about to set, and the man "again", which shows beyond doubt the first symptoms of conversion.
After the coming of Don Rodrigo dell'Innominato the torment suddenly reveals itself in all its force, and the concern becomes in an increasingly deadly obsession.
to exaggerated even then you add the facts: the compassion of the Red Kite, the sight and words of Lucia. The brief conversation with the Red Kite is a new step towards them entwined in a turmoil that will not subside and result in a final decision. Faced with this poor woman curled up and shivering, he never felt like the misery and futility of arrogance which has always lived.
Few literary topics can arouse much curiosity as this. All of us have encountered a story or a movie where the reason for the "double" is present in some of its varied and changing forms: stories of twins of which one good and one evil, players with dual personality. One example is the story of "Dr. Jeckill and Mr. Hyde."
dell'Innominato The crisis is a crisis of will, which I now realize, and the decisive point for change is when everything so far has loved, wanted, wanted, it seems to even hateful. It goes back to crime and crime in all the growing desperation seems unthinkable without a goal, an empty race towards death. Grab a gun decided to end it all but keeps thinking of that other life. It is not the fear of the afterlife that the anxiety, but the need to give meaning to his life. Suddenly come to mind as a promise of hope in the words of Lucy:
"God forgives many things, for a work of mercy! "
the morning would free the girl, he would have reported to his mother ... but then what would have made his day?
Federica Gaspari 2DS
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